The bells at St John, Burslem are a peal of six cast by William Dobson of Downham Market, Norfolk in 1828. They are listed in Dove as Unringable: tower unsafe. As part of a project to investigate the tuning of Dobson bells, I visited Burslem on 23 October 2020. Phil Gay arranged the visit for […]
This article was originally published in The Ringing World of 2 October 2020, issue 5710, page 968. In Chris Pickford’s list of Great Bells (see below for link), the biggest bell cast by William Dobson is listed as 43cwt, originally at Dublin Post Office, and now in County Mayo, Ireland. As part of an investigation into the tuning […]
This paper was updated 26/12/2020 with an additional 66 bells by William Dobson, bringing the total number of bells analysed for the period 1750 to 1850 to around 1,050. For most of the additional Dobson bells, the tuning figures were provided by Chris Pickford from Taylors’ records. The plots comparing the hum and prime tuning […]
William Dobson was a bellfounder working in Downham Market, Norfolk in the early 19th century. He inherited the bellfoundry in 1806 from his grandfather Thomas Osborn who originally worked with Joseph Eayre in St Neots and moved to Downham Market in the middle of the 18th century. Among peals by William Dobson which still survive, […]
This article was originally published in The Ringing World of 17 August 2018 and has been updated to include more Taylor bells. The conclusions are unchanged. A history of Taylors in bell sounds Taylors claim to be the founder of the world’s finest sounding bells, and rightly credit for the rediscovery of true-harmonic tuning in the late […]
This history of the notable Taylor bell-founding family, written by Paul Taylor, is taken from a leaflet produced for a celebration dinner held on Friday, 1st January 1960 to mark the 200th anniversary of the birth of Robert Taylor, the first member of the family to enter the trade. This dinner was held at the […]
The Taylor family had a profound influence on bellfounding worldwide through their rediscovery of true-harmonic bell design and tuning in the late 19th century. This section of the site brings together a history of the Taylor bellfounding family, written by Paul Taylor for a celebration dinner in 1960, and also an investigation I did into […]
Around 20 years ago, I rang on the peal of eight at St Edmund Southwold. All the bells had been tuned in 1990 by Whitechapel with accurate nominals, but to my ears the trebles sounded distinctly flat, by up to a quarter of a semitone. The two trebles at Southwold cast by Moore, Holmes & […]
In bells, the note we hear (for all bells that are not very small or very large) is a missing fundamental or virtual pitch effect. A set of higher frequency partials generates a sensation of pitch in our ears, auditory nerve or brain. This sensation of pitch is very strong and outweighs any sensation of […]
Sometimes, peals of bells are tuned with stretch, so that the nominals of the trebles are sharper than the musical scale would require by a quarter or a third of a semitone. Stretch tuning was common in peals of bells produced before the true-harmonic revolution in the late 1890s. Paul Taylor re-introduced the practice at […]